3/1/2023 0 Comments Every time donkey says shrek![]() ![]() Several sequels and spinoffs followed, as did a theme park attraction, a Broadway show and a star on the Hollywood Walk of Fame. I don’t know whether to hug you or hate you.” Jenson recalled band members telling her years later, “Everybody asks us to play that song. “All Star” by Smash Mouth was a hit two years earlier but “Shrek” gave it new life, while the band’s cover of the Monkees’ “I’m A Believer” rose to No. The film’s success spawned other successes, like songs from the soundtrack. Jenson herself didn’t understand what a hit “Shrek” was until she was dining at a sushi restaurant in North Hollywood and overheard fellow diners talking about the movie: “One of them says, ‘Have you seen “Shrek”?’ And the other one is like, ‘No, no, I don’t go see kids’ stuff,’ and they go, ‘No, no, it’s not for kids. “Shrek” was widely praised by critics and went on to win the first Academy Award for best animated feature, beating out, among others, Pixar’s “Monsters, Inc.” 1 at the domestic box office, it went on to earn nearly $ 500 million worldwide on a production budget of $60 million. ![]() The movie competed at the Cannes Film Festival before its American theatrical release. “After Mike Myers finished the film, he had the idea to try a different vocal performance, and it was so successful, Katzenberg chose to rerecord his role,” Rossio said, “and a good number of scenes had to be adjusted.”īy the end of production, Rossio said, there were more than 5,000 pages on his hard drive for a final screenplay that was 85 pages long. “In comic fantasy, you play all the story elements straight, with one change: the characters in the story are well-aware of the conventions of the genre of their own story. Schulman.) As Rossio recalled, Elliott immediately saw an opportunity with “Shrek” since the genre of fantasy comedy, satirical by design, had produced popular book series at the time.īut “that genre had rarely been attempted in the movies (William Goldman’s ‘Princess Bride’ is the only film that comes to mind) and never in animation,” Rossio said via email. (The script is credited to them as well as Joe Stillman and Roger S.H. At the time, the “Shrek” visual effects supervisor referred to “ a level of complexity in the movie that hasn’t been done before.”Īs for the story itself, the writing partners Terry Rossio and Ted Elliott, who had worked on “Aladdin” and “The Road to El Dorado” with the DreamWorks executive Jeffrey Katzenberg, were on board from the beginning. That and other elements, like Donkey’s fur, meant technological advances. The new movie, with its magical environment, required complex rendering, especially if the human Fiona was going to move gracefully. Even though DreamWorks had experience with computer animation, thanks to “Antz” (1998), the main characters in that movie didn’t pose the challenge that the range and scale of those in “Shrek” did. ![]() The look of the movie was also unexpected. Key to the film’s success was the unforgettable comic voice work delivered by a cast that included Mike Myers as Shrek, Eddie Murphy as Donkey and Cameron Diaz as the princess. Their quest involves a deal with a tyrannical lord: rescue a princess, Fiona, whom the nobleman wants to wed, and in exchange, Shrek can get his home back. An angry, self-isolating ogre, Shrek sets off on an epic journey with Donkey, his sidekick, after their swamp is overtaken. “There would be glimpses of like, wow, I don’t think anyone’s seen this before, this is really funny or this is kind of touching.”Ĭo-directed by Jenson and Andrew Adamson, the movie was based on a children’s book by William Steig, and its basic outline hardly gets at what makes it so audacious. “We didn’t really have the sense of the scope that it was going to be big,” Jenson said. Twenty years later, “Shrek” is still a beloved, offbeat fairy tale whose characters and jokes continue to permeate pop culture, reaching another generation of fans. “Getting sent to ‘Shrek’ felt like being sent to Siberia,” the director Vicky Jenson recalled.īut when the movie was widely released on May 18, 2001, it immediately topped the box office, received wide critical acclaim and went on to win the first Academy Award for best animated feature. In fact, the project was initially unpopular among employees. ![]() The lack of a traditional prince wasn’t the only hurdle for “Shrek,” the next big animated production from the newly formed DreamWorks. The idea that an ugly ogre could be a big-screen hero in a romantic comedy-fairy tale was not one many had high hopes for. ![]()
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